The 4 and 6 draw bends are both semi-tone bends. The 4 draw bend is particularly useful because, if you’re playing cross harp, it is the ‘blue’ note of the blues scale – also known as a flattened fifth.
The 4 and 6 draw bends are both semi-tone bends. The 4 draw bend is particularly useful because, if you’re playing cross harp, it is the ‘blue’ note of the blues scale – also known as a flattened fifth.